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ArizUtaku: June 2009

Saturday, June 27, 2009

A bunch of kids + 8 months unsupervised on a space ship = recipe for disaster!

Ladies and gentlemen, I give you Shinji Ikari's long lost twin brother! XD

If I were to describe Infinite Ryvius at the most basic level possible, I would probably basically say that it very much so embraces the good 'ol law of Murphy. That is that everything that can go wrong, will go wrong. And boy does it ever!

But what much more do you really expect from a series that, from what I understand, is loosely based off of the classic novel Lord of the Flies? Now I don't know much at all about that novel, seeing as how I've never either read the book or seen the movie, so I couldn't tell you how much of Ryvius is similar to it. However, I can pretty much assume that it's about as loosely based on it as, say, Oh Brother, Where Art Thou? is based on The Odyssey. It's very much it's own thing, very much it's own story and everything, but the basic premise, main themes, and maybe even alluded to plot points and characters are all pretty much the same at the very least.

Basically the idea is that we've got a bunch of kids, teenagers and younger, who are all students at an astronaut training facility aboard a space station, the Liebe Delta. While aboard, the space station is attacked, and all of the students are evacuated onto an attached ship known as the Ryvius, and pretty much all adults who were aboard the Liebe Delta are killed in the attack. So now we've got a ship full of kids, basically, no adult supervision, barely any competent leadership (save for the ones training to be leaders anyways), and the only ones in the entire galaxy who are even aware of the ship's presence are those who have deemed them to be terrorists, due to the ships apparent heavy load of weaponry. Oh joy........

Unfortunately for the impatient, this series does sort of take a while to really get things going as far as being really interesting and intense is concerned. Especially when you are aware ahead of time the basic premise of this series, then really the only exciting moment in the early goings comes in the form of something you already know is going to happen in the destruction of the Liebe Delta. But then again, I always pretty much saw it as going along with what the premise of the series is, meaning that in the early goings, obviously you're not going to get a lot of really big things happening, they did just start out after all. But as you can imagine, after a while of being in their situation, eventually things start just crumbling down for everyone at a gradual pace. And here begins the truly great part of this series.

But along with it's, well, semi slow start anyways, probably the only other knock I'd throw at this series is, well, not really even a flaw about it in the first place. That is, the likability of the characters. Those who can't stand a lot of your typical teenage melodrama and whinyness probably wouldn't like this series very much. Granted in it's defense, I'd say the premise of the series, the situation they're all in, they sort of do have every right to be as whiny and melodramatic as they are. Although I can still easily see certain people not being able to like the two main characters, the Aiba brothers very much. Basically we've got the same archetypes in these two as two of the most hated characters in anime history: as I mentioned above Shinji Ikari from Evangelion is very similar to Kouji (and not just in character design ;) ), and Sasuke Uchiha from Naruto is also very similar to Yuki. And neither character really develops outside of that archetype until like, maybe the last few episodes or so, neither are their conflicts really resolved until then as well (as you can imagine with the combination of those two particular archetypes, these brothers REALLY hate each other..... ). But once again, this only really comes down to personal preference, because the way I see it the dislikability of the characters are what the basic idea and main themes of the series revolves around in the first place, and it helps strengthen them.

While it probably doesn't matter whether or not you watch the sub or dub of this series, for the truly picky I'd say watch the sub. The dub is truly not one of Ocean's best works of all time, in fact may even be one of their worst. I personally don't really let that sort of thing get in the way of my enjoyment of a series, but I can easily see how it could be a better experience not having to deal with the painful, almost at times laughable dub as well. A few of the more major characters of the story are cast pretty well, and their actors to an okay job anyways, but outside of that the dub can really have you banging your head against a wall sometimes.

All in all though, I'd say if you're willing to hang in there for long enough, this is really quite the interesting and engaging series, pending on your tolerance level for most of the characters that is. But even then, that's one of the things I think makes this series so engaging as well. And at the same time, I will also say that it really can be quite the entertaining sci-fi, almost mech series (kinda spoiler for me to say anything else, heh ^_^' ) as well. Definitely worth a watch for both reasons.

Rating: 3.5 Stars (out of 4), 8/10.

Wednesday, June 24, 2009

Summer Anime 2009 Preview!

The summer anime season is fast approaching. So fast, that I'd forgotten until recently that new shows are starting next month! Here's the list of series that I'm looking forward to checking out in the coming weeks.

Aoi Hana (J.C. Staff)


Really excited about "Sweet Blue Flowers". It appears that I'll finally have a truly good yuri series to watch. The yuri well has been dry ever since Blue Drop: Tenshi-tachi no Gikyoku ended way back in December 2007! In case any of you are wondering, Ga-Rei -Zero-, though I adore the series, doesn't count. Contrary to popular belief, it isn't really a yuri title, but I digress.

Anyway, I'm stoked about this because Kenichi Kasai (Honey and Clover, Nodame Cantabile, Major seasons 1-3) is directing this series. I've also heard good things about Takako Shimura's original manga and the voice cast features personal favorites such as Mamiko Noto and Yui Horie.

CANAAN (P.A. Works)


CANAAN
is being directed by Masahiro Ando, who made a terrific debut with Sword of the Stranger. Sadly, this series won't be animated by BONES, nor will it have a big movie-sized budget; but there's no way I'm not going to check this one out. It's got some good-looking Type-Moon character designs, the music will be composed by Hikaru Nanase (Phantom ~Requiem for the Phantom~, Scrapped Princess, Noein - to your other self), and the voice cast features some big names like Maaya Sakamoto, Miyuki Sawashiro, Mamiko Noto, and Rie Tanaka. CANAAN has the makings of a summer hit.

Spice and Wolf II (Brain's Base)


Watching Spice and Wolf II is a no-brainer. Not only did I enjoy the first season, but the animation production has been taken over by a new, superior studio. I watched the DVD-only "Act 0" episode a while back, and it was just as good as ever. Not looking forward to more yawn-inducing economics, but, if "Act 0" is any indication, the banter between Horo and Lawrence should hopefully be as delightful as the first season.



Been looking forward to Taishō Yakyū Musume for what seems like forever! It was first announced back in August 2008, and now I'll finally get to see it almost a year later. People should know that I'm a huge baseball fan, and the premise of this series (which can be read in the linked announcement) sounds quite amusing. Plus, there's a bevy of cute girls with a great voice cast to match. Should [hopefully] be a lot of fun.

Tokyo Magnitude 8.0 (BONES)


For starters, Tokyo Magnitude 8.0 is from BONES and the opening theme will be sung by the always awesome abingdon boys school. Next, the premise is interesting, and you've gotta love the effort BONES is putting into portraying an earthquake and its consequences as realistically as possible.

From ANN:

"The anime will depict what would happen if an 8.0 earthquake took place. BONES will attempt to realistically portray the consequences of such a tremor after collecting data on actual earthquakes and interviewing people. "

The music is by Kô Ôtani (Haibane Renmei, Mobile Suit Gundam Wing, Shakugan no Shana) and the screenwriter Natsuko Takahashi (Blue Drop: Tenshi-tachi no Gikyoku, Chiko, Heiress of the Phantom Thief, Tales of Agriculture) has written some good series in her career. This could be really great.


Umineko no Naku Koro ni is another anime based upon a game from the creators of the popular Higurashi no Naku Koroni series, Ryukishi07. I've only seen the first Higurashi anime, but I really, really enjoyed it. The staff of Higurashi is working on this, so I'm hoping that I'll enjoy Umineko just as much as I've enjoyed the Higurashi franchise.

And there you have it. I'm not watching nearly as many series as in the spring, which is a good thing. There are still shows from winter and spring that I haven't finished yet, so taking on a smaller load is only practical. Not to mention there just aren't very many summer series that interest me.

Friday, June 19, 2009

Exciting News!

I'm going to begin writing anime and manga reviews for http://www.fightbait.com/!

Thank you for your enthusiasm, Minamo.

I responded last night to a post indicating they were hiring writers. Right now the site is undergoing a transition from what is basically a blog + podcast to an anime/manga/game review site. This morning, I got a glowing response from the editor of the site telling me how thrilled he was to have me. I won't post them here, but the compliments he gave on my writing left me in a flattered state-of-mind.

The new and improved fightbait site isn't ready to go live yet, but once the editor and his partner have gotten enough things nailed down in advance, I'll begin writing for them. The position is unpaid, but it could become paid. That all depends on if the site becomes profitable or not. Even so, I couldn't resist getting my foot in the door of a site with a good amount of readership already in place. A good first step towards possibly getting a paid critic job, which is something I've always wanted to do.

Does this news indicate the end of ArizUtaku? Of course not. I'll continue to make posts here, no question. My ArizUtaku "associates" will have to pick up the slack for me though. ;)

I'll be sure to let you know once the new site goes live.

More confirmed airing dates (Gundam 00)

From ANN.

The second season of Gundam 00 will begin its first run on Sci Fi Channel starting June 29th!

It seems Tieria (R) wasn't informed of this.
Until now, that is.

Bring on the Balsa!

From ANN.

Adult Swim will finally begin airing new episodes of Moribito - Guardian of the Spirit on August 22! YES!

Balsa is delighted to hear this.
Chagum too.

Thursday, June 18, 2009

Bank account, why must you torment me so?

DAMN IT!!!!!!!!!

I wish I could afford to attend Otakon this year. Why?

Because Kikuko Inoue is going to be there!


First MELL, and now Kikuko FREAKING Inoue!!!


Kikuko "BELLDANDY" Inoue!!!!!!!


Kikuko "NEW LUST" Inoue!!!!!!!!!


*sobs*

.....

Sorry, I just had to let it out somewhere.

Nausicaä of the Valley of the Wind GN 1-7

If one were to search, they'd be hard-pressed to find an anime fan who hasn't seen Hayao Miyazaki's classic film Nausicaä of the Valley of the Wind, but fans who haven't read the manga are without question missing a lot. The film is like an appetizer, if you will - it readies the palate in preparation for the main course. Of course, one doesn't have to see the movie first to fully appreciate the manga, but the manga certainly shines better if the movie is seen first. Just like how an appetizer enhances the flavor of the main course.

The storyline in the film basically only covers events from the first couple of volumes. Though it incorporates the same environment message and themes, the manga is far more fleshed out, more sprawling environment epic. Plus, the film had to remove certain subplots that had yet to be fully realized in the manga at the time. Basically, Miyazaki tweaked his unfinished story quite a bit when he adapted into an animated film. If he had waited until the 1990s to adapt Nausicaä, he certainly would have needed to make more than one film, since condensing the story at that point would have been impractical, as the story spans 900-plus pages in seven oversized volumes.

From the perspective of the film's ending, that was really only the beginning as far as the manga is concerned. It really begins to take off there as Nausicaä moves on to investigate the meaning behind the message of the Ohmu. There's plenty more to be encountered. Immortals, political upheaval, astral projection, a failed experiment with mold takes a shocking turn for the worst, a child-like God Warrior, etc. Miyazaki's creative vision is fully realized here, and his cautionary message is certainly thought-provoking. It's a bit grim when it all comes down to it, but all the more uplifting when one digs deep and fully realizes the layer of hope underneath.

One can criticize Miyazaki's artwork as being a bit odd, since it takes a some time to get used to. Seeing him depict things using still frames versus animation takes a bit of an adjustment, and sometimes the panel-to-panel flow can be a little awkward in the early volumes. Eventually, though, Miyazaki was able to improve his paneling to the point where it's much more straightfoward and easier to read. This then causes the artwork to shine more brightly. Speaking of which, his art itself is certainly gorgeous to look at, as it is lavishly detailed, but sometimes it gets bogged down in its own detail. Many times there's a so much happening in a panel that it becomes difficult to distinguish what exactly is going on. This is a problem many manga artists face, and seeing even the great Miyazaki struggle with it is somewhat refreshing. Also, the art gets obstructed by word bubbles quite often when there's a lot of expository dialogue, but this is something that one will find in just about any comic. To really delve any deeper would be to nitpick. As a whole, the book is a feast for the eyes from start to finish.

Nausicaä is Miyazaki's finest work -- his life's greatest masterpiece -- be it print on animation in every way imaginable. It's a darn shame that the film doesn't do the manga justice. Still, if one considers that it took Miyazaki over 12 years to complete the story and then reminicises on the strengths of the film -- such as its ending -- it's easier to appriecate the film for what it is. That doesn't change the fact that reading the manga is an absolute necessity if one wants the fully realized tale.

Overall: (out of 5)

Story:

Art:

Incoming! More new Haruhi to air today!

Learned about this from AnimeVice.

"Bamboo Leaf Rhapsody" -- the first new episode of The Melancholy of Haruhi Suzumiya to air in over three years -- aired four weeks ago, but the last three weeks have been episodes from the first season. I began to wonder when the next new episode would air, and to my delight I learned that starting today there will be new episodes for the next four weeks! This will be followed by four weeks of first season episodes, then the final episodes will air in nine consecutive weeks to round out the new season.

For your convenience, I'll be copying the schedule that was posted on AnimeVice (with the original episode airing dates removed):

05/21 - Bambo Leaf Rhapsody
06/18 - Endless Eight
06/25 - The Sigh of Haruhi Suzumiya Part 1
07/02 - The Sigh of Haruhi Suzumiya Part 2
07/09 - The Sigh of Haruhi Suzumiya Part 3

08/13 - The Disappearance of Haruhi Suzumiya Part 1
08/20 - The Disappearance of Haruhi Suzumiya Part 2
08/27 - The Disappearance of Haruhi Suzumiya Part 3
09/03 - The Disappearance of Haruhi Suzumiya Part 4
09/10 - First Sight LOVER
09/17 - Snow Mountain Syndrome Part 1
09/24 - Snow Mountain Syndrome Part 2

10/01 - Where Was Shamisen?
10/08
- After the Disappearance

Finally I have concrete dates to look forward to. Much better than being not knowing what's coming.

As for "Bamboo Leaf Rhapsody," I watched that episode almost immediately once it became available, but neglected to post about it. I'll be sure to include comments on that episode when I make my post about "Endless Eight." For now, I'll leave you with a screenshot from "Bamboo Leaf Rhapsody."

Tuesday, June 16, 2009

Phantom: Is it still worthwhile? (Eps. 10-11)

He looks like he's enjoying himself, so I bet
his answer to my que
stion would be "Yes."

I haven't made an episodic anime post for a while, thought I start again my posting about some qualms I'm having with Phantom ~Requiem for the Phantom~ as of late.

*WARNING* This post contains numerous spoilers.

Gosh darn it! They've killed off Ein. Well, she doesn't actually actually die onscreen, although she was shot in the chest and fell into the harbor waters. Reiji was also critically wounded and survived, but Ein (or Elen/Eren as Reiji named her after they fled from Inferno) is nowhere to be found. Hopefully she'll be back, but I'm not so sure she will be.

Reiji had also developed from being a puppet into more of a human character thanks to the sexy Ms. McCunnen's overly-sensual tactics, but after the episode 11 (which was mostly a dreaded recap) he seems to have crawled back into his puppet-like shell. Of course, there's good reason for this since he lost Ein, but I was really liking how he was becoming more self-aware after regaining his memories.

Also, based upon the preview for episode 12, Elen/Eren has been replaced by a cutesy, big-eyed blond girl with a squeaky, high-pitched voice typical for such a character. She seems out of place in this series, but it's too early to tell.

Thankfully nothing has changed in regards to the good production values and beautiful music. I haven't found myself bored to death either like I have with other Koichi Mashimo/Bee Train works (although things may be changing quickly in that regard). I'll just have to see how things go, but I'm not liking the direction the series is taking at this point. Hopefully things will change for the better, because I would hate to drop a series that's so aesthetically pleasing.

Mamoru Hosoda: He's done far more than leap through time!

I watched the latest trailer for Mamoru Hosoda's (The Girl Who Leapt Through Time) upcoming Summer Wars, and decided that I'd give his other films a watch.

I'd watched his delightful 5-minute short Superflat Monogram several months ago, but I hadn't gotten around to tackling his two Digimon movies and his One Piece movie, though I'd heard good things about both. Today I tackled all three remaining films, starting with the two Digimon movies. It should go without saying that I watched both of the Digimon films subtitled.

Digimon Adventure


I'm in no way a fan of Digimon, so I was surprised at how much I enjoyed the first movie (which is only 20 minutes long, by the way).

Having seen The Girl Who Leapt Through Time I recognized Hosoda's distinct visual style instantly. He didn't design the characters, mind you, but they have a look as if they are rendered in an ever so slightly-blurred fashion and the designs have a simplistic look to them as well. He uses this unsharpened approach in all of his films, making it easy to pick out.

The plot of the first Digimon film is a simple one. It's about Taichi's first encounter with a digital monster, and the havoc it wreaks. It's a rather light-hearted piece, but Hosoda is very skilled at interweaving seriousness with lightheartedness. Not to mention it's very cute. How little Hikari communicates by mostly faintly blowing a whistle is very clever, not to mention it comes in handy towards the end.

Despite being his first time in the director's chair, Hosoda puts his talent on full display here. He manages to take something I've never been too keen on and produces quality entertainment.

(out of 5)

As a side note: I was saddened (though not surprised) to see that it was butchered when I sampled a bit of the English dubbing. They certainly ruined a quality short film.

Digimon Adventure: Our War Game


Impressed by the first movie, I moved on to the 40-minute second film, which is much grander in scale than the first. More characters, more monsters, more everything! Hosoda doesn't have any problem handling the big jump in responsibility. In fact, he seems to relish in the fact that he's got more to handle.

The plot of Our War Game is a bit more complex than the first, but just as easy to follow. There's a rogue monster on the loose in the Internet, wreaking havoc on computer systems due to the fact that it needs to eat data in order to survive. Of course, Taichi takes it upon himself to defeat this monster, although he can't do it alone.

With more characters there's more freedom for interaction, and with that comes humor. Hosoda proves he's got a deft hand when it comes to comedic timing and facial expressions. I laughed out lout plenty of times while watching this. The Digimon films are all in good fun, and they succeed quite well in that respect. Of course, there are plenty of things that don't make a lot of sense as things that could have used some explaining are glazed over, but this is a film aimed at kids so you can forgive such flaws. Even if you're not a fan of Digimon, check this and the previous film out.

(out of 5)

One Piece: Baron Omatsuri and the Secret Island


Lastly, I watched the Hosoda's One Piece (OP) film, which is a full-length feature, and the sixth in the OP movie series.

Of course, since there isn't any need to develop already established characters, the film jumps right into the action. The Straw Hat Pirates come across an advertisement for Omatsuri Island that promises something that caters to each of the characters loves the most while calling for those who are pirates among pirates among pirates among pirates to set sail for their island. Of course, in usual OP fashion, there's a catch. The Straw Hats first have to endure an "Ordeal of Hell!" Of course, Luffy is up for the challenge.

What really made this film great is something I've touched upon before: Hosoda's ability to interweave lightheartedness with seriousness. He did a good job with the Digimon movies, but the OP film takes the cake. The film starts out as what appears to be a zany adventure, but little hints are dropped here and there and events slowly unfold and the one finds themselves immersed in a very dark story. The transition from light to dark is almost seamless - it really sneaks up on you. Quite different from a series like Trigun in which in the transition was akin to flipping a light switch.

The movie does go too much over-the-top at times (which is one of the many things I dislike about OP), Baron Omatsuri is underdeveloped, and the opening act is a bit of a chore to get through, but the film is very rewarding which outweighs most anything else. Plus, it's very funny and highly entertaining. I figure any other OP film would have a devil fruit of a time topping the sixth movie.

(out of 5)

Though we'll never get an uncut version of Hosoda's Digimon movies, there's still hope that FUNimation will snatch up his OP movie.

Let me rephrase that: FUNimation had better snatch up his OP movie! It remaining unlicensed is a travesty.

Up

I said in my review of Coraline back in February that it would be tough to top as this year's best animated film. The first film to truly put those words to the test year is Pixar's latest: Up.

I'll tell you right now, Up doesn't "up" Coraline, although it comes dangerously close.

Up is a delightful film, and while it doesn't rank amongst Pixar's best, it is an easy film to recommend. Up showcases some magnificent production values as usual and proves yet again that the talented folks at Pixar just won't run out of ideas, as this film's greatest strength is it's cleverness.

The characters are really just cardboard cutouts. We've seen "grumpy old man" characters like Carl before and hyperactive little boys like Russell before as well. We've also seen characters like Ellie before as well and the borderline insane villain also doesn't provide much of anything new. But! I'll say again: the film's cleverness and heartfelt sentiment negates all. The dialogue-free portions of the prologue were heartwarming and heartrending all at the same time, as it was expertly paced and executed. The witty script also provides for plenty of laughter and other clever ideas (like the dog-piloted fighter planes) almost never failed to put a smile on my face. Not to mention Alpha's voice as it is first heard through the talking collar had me laughing uproariously for at least a minute. Pixar perhaps had a little too much fun with the dogs though, as the collar gimmick became tiresome after a while.

Who ended up being the villain didn't surprise me all (I realized who it would be far in advance) and it felt like he was thrown in there just to create some semblance of a "good versus evil" plot for the kiddies, and Russell's absence of the father figure is also nothing new (although it served it's purpose well enough, since Carl ended up with the son he never had). Sometimes the film also gets maybe a little too sentimental for its own good, but really the flaws are quite minimal. Pixar certainly knows how to make a quality film.

(out of 5)

Still, despite the fact that Up is definitely a winner of a movie, I'm probably going to end up disappointed come Oscar season next year. Up will most likely win the Academy Award for Best Animated Feature, even though it doesn't deserve it. Coraline was unfortunate to be released in the same year as the Pixar film despite being the better picture.

Drag Me to Hell

I've never considered myself a fan of horror, yet for some niggling reason Drag Me to Hell managed to capture my interest from the first trailer I saw. So much so that I decided to see a midnight showing of it. As it turns out, I made a great decision.

Drag Me to Hell (DMtH) is Sam Raimi's time directing a horror film since the 1980s, and it was certainly a much-needed return to his roots after the failure that was Spider-Man 3. Raimi probably had the most fun he'd had in years making this film. Good for him (and also the audience).

The premise of the film one can easily get from the trailers, but what you don't get is just how fun the film actually is. Not only is it genuinely frightening, it's also chock-full of comic relief and campy moments, which serve to alleviate the shock value of certain scenes. The plot is rather basic, but for what it's worth, Raimi makes it work quite well and manages to throw in quite a few unexpected things.

Probably the biggest flaw is the film's score. It's rather generic, filled with the usual sounds that would accompany a horror film. It suddenly gets loud when something is supposed to scare you, it becomes foreboding when necessary, etc. In fact, that many times the score caused me to begin anticipating that something surprising was going to be thrown at us, and as a result I didn't jump in surprise along with the rest of the audience. Still, I jumped plenty of times while watching this, and I was shaking in my seat towards the end. The guys sitting in front of me made the midnight showing worthwhile. Their ongoing commentary was almost as entertaining as the film itself.

The best part, though, is the ending. Of course, we all know what was going to happen to Christine, but how it happened was undeniably clever. Christine's reaction when she realized she hadn't avoided the inevitable after all is worth the price of admission.

When it all comes down to it, DMtH is a very good horror flick. It does what it set out to do very, very well. Best viewed at night, obviously, and along with an audience.

(out of 5)

Monday, June 8, 2009

Angels & Demons review - Better late then never..... ^_^'

Okay, so technically I should have written this review like, a week ago.... ^_^' I had on my mind what it was I wanted to write not to long after I saw it, but then things got kind of crazy and then.... yeah, you get the idea.

Well quite frankly, I personally don't really understand all to well what people didn't like so much about The Da Vinci Code myself. And I think in this particular case, I'm once again not finding what people aren't liking about this either. One complaint that seems to be typical of most critics in particular has a lot to do with Tom Hanks supposedly putting on some of the worst acting of his career. And while admittedly he's by and far not at his best in either movie, I'm just not seeing any signs of particularly bad acting either. I suppose it mostly comes down to whether or not you read the actual book and being able to more easily point out movie making flaws, kind of like how I was with Watchmen? Because the stories of both are actually quite good, very engaging, exciting and unpredictable stuff. But that's just because of the fact that the story comes from the novels themselves.

Only problem is with Watchmen not only was I able to recognize movie making flaws more easily, I could also see where holes in the story arose because of the director's inability to handle the story with much care. I think if anything can be said about this movie, as well as The Da Vinci Code, it would have to be that (and my mom is mostly the one who can attest to this, since she's read the books and I haven't) the adaptation of the story was almost spot on perfect. A few things done a little differently, but nothing very dramatic at all. Everything that needed to be there was there and structured and handled the way it needed to be. And as I mentioned before, it made for one very exciting and engaging story.

Granted I won't say that either movie was perfectly flawless either. Or at least I won't go around claiming either of them as the best movie of the summer or anything like that anyways. But not a bad movie by any measure either. But if Da Vinci Code was not your cup of tea, I will say this and whoever reads this can take it for what it's worth, but that Angels & Demons, at least in my view anyways, is definitely the better of the two. Of course one also has to realize that it is supposed to be technically a prequel to Da Vinci (A & D came out before Da Vinci book wise), but rather than being mostly about the controversial religious philosophy and puzzle solving stuff like it's predecessor was, A & D focuses more on being just an all around entertaining summer blockbuster. And it really is at that.

Rating: 3 stars out of 4, 7/10
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